‘Casablanca‘ was running on TCM the other night and like a moth drawn to the flame, I stayed up to watch it – again. I know if there has been a film that has been worn thin by too many screenings, references, allusions to, special edition packages, parodies, reviews, commentary, analysis, short-listing and so on, ‘Casablanca’ would be it. I have watched it over 12 times; in b/w & technicolour, in a cinema, on cable & regular television, on DVD and also noisily projected on a white sheet tacked to a barn door. Suffice to say I know virtually every line in the script by heart. I have read up on it, had posters of it, listened to the soundtrack and generally done those things that creepy people obsessed by film generally do (except hop on a motorcycle and with a camera strapped round one’s neck, ride down film stars like a post-modern John Wayne lassoing a wayward steer).
The point in my weakness to ‘Casablanca‘ is that I simply love old films in general and Humphrey Bogart’s in particular. The cliché “they don’t make ‘em like they used to” couldn’t be more true. Classic film, unhampered by colour, special effects and juvenile actors bred on reality TV shows relied mainly on strong story lines and fantastic dialogue to carry them along.
Well, ‘Casablanca‘ inspired me to dig out the other ‘Bogie’ films I had around and mine them for memorable moments. From bit parts in ‘Angels with dirty faces’ [1938] starring another screen great, James Cagney to the cynical Sam Spade in ‘The Maltese Falcon’ [1941] and other memorable roles in ‘The Petrified Forest ‘[1936], ‘They drive by night’ [1940] ‘San Quentin’ [1937] ‘Black Legion’ [1937] ‘The African Queen’ [1951] ‘Key Largo’ [1948] ‘The Treasure of the Sierra Madre’ (1948) ‘The Barefoot Contessa’ [1954] Ernest Hemingway ‘To have and to have not’ [1944] ‘High Sierra’ [1941] ‘Dark Victory [1939] ‘The roaring Twenties’ [1939] and ‘The Oklahoma Kid’ [1939].
You could say I binged on Bogart.
The films also have loads of unforgettable supporting actors & actresses. Lauren Bacall’s sultry screen siren leaves the competition smouldering only equalled by a Peter Lorre so slimy it’s a wonder how he managed to hold any lines. Sydney Greenstreet’s carefree confidence in his size and ability to dispense casual violence like cheap confectionery is masterful only due to Bogart’s ability to take it. A motley crew of alcoholics and idealists serve to play off each other in not always believable but highly entertaining plot lines that have always had me paying more attention to what they are saying as opposed to they are doing.
All this without (I stand to be corrected) a single swear-word.
Sample some of the lines that have always made me smile
‘Casablanca’ [1942]
Rick Blaine (Humphrey Bogart): “I don’t object to a parasite, only to a cut-rate one” – to Ugarte (Peter Lorre)
Major Strasser: You give him (Rick Blaine) credit for too much cleverness. My impression was that he’s just another blundering American.
Captain Renault: We mustn’t underestimate American blundering. I was with them when they blundered into Berlin in 1918.
Capt. Renault: What on Earth brought you to Casablanca?
Rick Blaine: My health, I came to Casablanca for the waters.
Capt. Renault: The waters? What waters? We’re in the desert!
Rick Blaine: I was misinformed.
Senor Ferrari: (To Rick Blaine) Might as well be frank, Monsieur. It would take a miracle to get you out of Casablanca, and the Germans have outlawed miracles.
‘To Have and to Have Not’ [1944]
Capt. Renard: “What is you nationality?
Harry Morgan: I’m a drunkard
Slim (Lauren Bacall): I’d walk home if it wasn’t for all that water- to Harry ‘Steve’ Morgan (Humphrey Bogart) when he asks why she hasn’t gone back to America
(Slim kisses Steve)
Steve: What did you do that for?
Slim: I’ve been wondering if I’d like it.
Steve: What’s the decision?
Slim: I don’t know yet.
(She kisses him again, this time he kisses her back)
Slim: It’s even better when you help.
Slim: You know how to whistle don’t you Steve? You just put your lips together and blow
Slim: I’ve been mad ever since I met you
Steve: Most people are
Amazing.
Audiophile: The Clash – Rock the casbah
Off my shelf: The ultimate racing car book – David Burgess-Wise
Midday Matinee: The Appointment [1969]
Starring: Omar Sharif, Anouk Aimee
Directed by: Sidney Lumet





















